The King’s Indian is a hypermodern opening, where Black deliberately allows White control of the centre with his pawns, with the view to subsequently challenge it with the moves …e5 or …c5. Until the mid-1930s, it was generally regarded as highly suspect, but the analysis and play of three strong Ukrainian players in particular—Alexander Konstantinopolsky, Isaac Boleslavsky, and David Bronstein—helped to make the defence much more respected and popular. (Source: Wikipedia)
The King’s Indian Defence follows these opening moves: 1. d4 Nf6 2. c4 g6
Below are some chesspoems translated from The King’s Indian Defence.
Mark Taimanov vs Miguel Najdorf (Zurich (1953))
the texture screens core (core)
and wink and foreground and
globally container criss-crosses each ocean
Which curious core blesses any system?
a hunched negative and intuitive ray
pebbled blessing and blessing, pore
fretfully inquires and butts funeral
reproduced king inside each fire
reproduces radar
Viktor Korchnoi vs Robert James Fischer (1970)
any texture and cored noise
memorized wink opposes within toe
some strand, globally container or
ownership, simplification around itself or
accelerated confession criss-crosses piece
license among simplification, a curiosity
obediently steadies
Vassily Ivanchuk vs Teimour Radjabov (Corus (2009))
diagonal texture each cored plaster
memorably or aggressively toes strand
diagonal moth or the negative
toward instant or curiosity or
the whisper vivaciously drags instant
dark departure, this permanence
diagonally works mime and thought
wood dives and crawls
and jointly raids
Wang Yue vs Ivan Cheparinov (2007)
some texture whimsically cores (cores) memory
this strand squarely forgets automaton
or blessing but desired huddle
blazing thicket callously and legally
mines vertical fork underneath exit
monochromatic huddle or labyrinthine variation
toward tooth beyond permanence, core
strategizes typed mimic among drift
horizontal odor weeps or
memorizes or eulogize and
clumsily fits tooth outside cog
Viktor Korchnoi vs Garry Kasparov (Amsterdam (1991))
this texture, screened core (core) or
hooded opposition inside stranded globe
contained confession some textured ocean
irons slightly or remorselessly, itself
bizarrely blesses suburb inside fortress
a ray and polar funeral
Miguel Najdorf vs Svetozar Gligoric (Mar del Plata (1953))
any texture, screen past cord
memorizes or opposes foreground
the globe, this contained texture
confessionally estimates cored curiosity or
scattered itself blesses riddle
negative dark or fluidity
licensed clocks rocky palm, toe
toes waterfall inside collar
timed bridge and sublime
nutritiously keys machine and screen
ill-formed oblivion, raided